Bill Gale

Performing Arts Critic

Bill Gale has had a widely varied career (including a stint as an air traffic controller) before dedicating himself to The Providence Journal for 35 years — 25 of those as the Journal's theater and dance critic. He is the former executive committee chair of the Foundation of the American Theater Critics Association and currently serves on their board.Gale has received a variety of awards including a Lifetime Achievement Award from the New England Theatre Conference. He has taught at Rhode Island College and Roger Williams University, and is currently an Admiral at Hope High School. He is married to clinical social worker Peggy Gale and is the father of two children. And he loves working in radio.

Ways To Connect

Peter Goldberg / Gamm Theatre

The Gamm Theatre is closing its season with a play reaching back to the French Revolution and the Enlightenment. It's a crackling production. But is there a connection to today? Not so much.

Mark Turek / Ocean State Theatre

“Into the Woods” won three Tony Awards on Broadway in 1988. But “Best Musical” wasn't one of them.  Bill Gale thinks that a strong production at the Ocean State Theatre tells you why.

Full disclosure, I have never cottoned to “Into the Woods” which brought so much fame and honor to its creators Stephen Sondheim and James Lapine.

Richard W. Dionne, Jr. / 2nd Story Theatre

2nd Story Theatre in Warren has always liked to do off-beat plays and its current work, “4000 miles,” is no exception. Bill Gale says it's a little loopy, a little lacking in plot, but that it's also one of those works you'll think about days after you see it.

It was, of course, the poet Robert Frost who wrote that “Home is the place where …they have to take you in.”  Well, “4000 Miles” is something of a recurrence of that idea.

Peter Goldberg / Gamm Theatre

Set in 1965 playwright John Guare's “The House of Blue Leaves” was a groundbreaking work, an American family drama set amid European-like absurdity. Now the Gamm Theatre has revived “Blue Leaves.” Bill Gale says it holds up, pretty well.

Mark Turek / Trinity Rep

A conservative approach to a classic play has rarely been the Trinity Rep way. Over the years full speed ahead has been more like it. That surely is the case with the theater's new take on “The Glass Menagerie.”  Bill Gale says it works, except when it doesn't.

“The Glass Menagerie” continues at Trinity Rep through March 29th. Bill Gale reviews the performing arts for Rhode Island Public Radio.

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