By the time champion cyclist Lance Armstrong confessed a career of doping to Oprah Winfrey in January, he'd already been stripped of his seven Tour de France titles and banned from further competition. Wall Street Journal reporters Reed Albergotti and Vanessa O'Connell covered and regularly broke stories about the investigation that ended Armstrong's career.
Dizzy dames don't age well. An attractive young thing doing prat falls is disarming; an older woman stumbling around for laughs spells hip replacement. Sad to say, Bridget Jones has hung on to her once-endearing daffiness, self-deprecation, and wine dependency far past their collective expiration date. That's one of the big reasons why her latest outing, called Mad About the Boy, is painful to read.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
David Sedaris' stories have appeared on <a href="http://www.thisamericanlife.org/search?keys=david%20sedaris">This American Life</a> and in <a href="http://www.newyorker.com/search?qt=dismax&sort=score+desc&query=david+sedaris&submit=">The New Yorker</a>, and have now filled seven essay collections<em> --</em> most recently, <em>Let's Explore Diabetes With Owls</em>.
Credit Hugh Hamrick / Little, Brown and Co.
David Sedaris's new book <em></em>is called <em>Let's Explore Diabetes With Owls.</em>
As I watched Robert Redford acting all by himself in the superlative survival-at-sea movie All Is Lost, I suddenly realized why the setup feels so perfect: Redford is most in his element when he's alone.
Set in London in the early 1930s, <em>Dancing on the Edge</em> is a five-part miniseries about a black jazz band trying to crack the dance halls and radio playlists. Made for BBC-2, the episodes will air starting Saturday night on the Starz cable network.
One of my most enjoyable parts of being a critic is steering people toward something so good, but so relatively obscure, that they might never have checked it out unless they'd been nudged in that direction. My personal best example of that, ever, was the imported BBC miniseries The Singing Detective, by Dennis Potter, about 25 years ago.
Billy Crystal isn't happy about turning 65, but at least he's finding a way to laugh about it. His new memoir — Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys? — is on the best-seller list, and he'll be back on Broadway in November.
You have to be of a certain age to remember firsthand the tornado of publicity that erupted when Liz Taylor, the former child star turned screen vamp, first met British stage star Richard Burton on the set of the 1963 movie Cleopatra. But it's still one of Hollywood's most famous and inescapable love stories.
In 1953, for the first and only time in history, two brothers were appointed to head the overt and covert sides of American foreign policy. President Dwight Eisenhower appointed John Foster Dulles secretary of state, and Allen Dulles director of the CIA.
Graham Nash first came to the U.S. as part of the British Invasion with his band The Hollies, which got its start at the same time as The Beatles and The Rolling Stones, and shared bills with both groups in England.