British playwright Joe Orton is probably best remembered for his loopy yet fiery comedy's “Loot” and “What the Butler Saw”. But his seminal piece was “Entertaining Mr. Sloane” a 1964 trouble-making work now being revived by 2nd Story Theatre in Warren.
When you enter 2nd Story's upstairs performing space these nights you'll be greeted by some real oldies. No, not the ushering staff. The recorded music being played: Petula Clark's “Downtown” The Seekers “Georgy Girl” and even “She's Not There” by the Zombies.
2nd Story Theatre in Warren has always liked to do off-beat plays and its current work, “4000 miles,” is no exception. Bill Gale says it's a little loopy, a little lacking in plot, but that it's also one of those works you'll think about days after you see it.
It was, of course, the poet Robert Frost who wrote that “Home is the place where …they have to take you in.” Well, “4000 Miles” is something of a recurrence of that idea.
Pulitzer Prize winning playwright Donald Margulies once said that he loves “. . .smart, complicated women. . .”
Well, in just two hours (with an intermission) he lets us look in on two females who meet that criteria, and more. “Collected Stories” takes place entirely in the Greenwich Village apartment of one Ruth Steiner, an award-winning author/professor. She's sharp as a whip, tight as a drum and both prissy and provocative. Lives alone and likes it. Or at least thinks she does.
The Rhode Island Philharmonic and Music School stands to get about $2 million dollars for infrastructure upgrades if the bonds pass. It's just one of many organizations that could benefit from the funds.
Rhode Islanders head to the polls in just a few short days. In addition to the major races, voters will also decide on spending bonds. There are four of them.
For this month’s Artscape, and as part of our Rhody Votes ’14 coverage we’re looking into question Five: the arts and culture bond. Rhode Island Public Radio's John Bender spoke with morning host Elisabeth Harrison.
For all of our election coverage, visit the Rhody Votes '14 page at our website here
Ah, yes, “Hay Fever” one of those plays that became known as “a comedy of manners.” But in truth Coward's 1925 hit really ought to be called a “comedy of ill manners.”
It's Coward's view of a famous family being famously, uproariously, ridiculously bad mannered to point of forcing the family's so-called “guests” to split, to sneak out of the house, to take any measures to get away from the family's self-regard, their “I really don't give a hoot for anything or anyone but myself” attitude.