A conservative approach to a classic play has rarely been the Trinity Rep way. Over the years full speed ahead has been more like it. That surely is the case with the theater's new take on “The Glass Menagerie.” Bill Gale says it works, except when it doesn't.
“The Glass Menagerie” continues at Trinity Rep through March 29th. Bill Gale reviews the performing arts for Rhode Island Public Radio.
Back in the late 1940s and early ‘50s the talk along the New York Rialto was about whether Tennessee Williams could broaden his approach. Sure, the critics and others said, he’s written great plays such as the ever-so-human “Glass Menagerie” and the stinging “A Streetcar Named Desire.” But can he go in other directions, take us to new places?