Let’s just say it right up front. Directed with bold assertion by Brian McEleney, on a kooky set that somehow works by designer Michael McGarty, “The Grapes of Wrath” is mesmerizing theater. With its quicksilver pace, its heartfelt performing and all-American drive, this production ranks among the best in Trinity’s history of taking on big deals and making them individual, and accessible.
The Rhode Island State Council on the Arts is taking submissions from local artists for gallery space at TF Green and the Block Island airport.
An airport might not be the first venue that comes to mind when one thinks of an art gallery. But both the Block Island Airport and TF Green have set aside space to highlight the work of Rhode Island artists. Now the state’s arts council is looking for work to fill those spaces next year.
Okay, full disclosure. I have a major soft spot for “La Cage.” Ever since I was one of the many who stood and cheered at the end of the 1983 pre-Broadway tryout at Boston’s Colonial Theatre I’ve wanted “La Cage” to succeed wherever it plays.
And it’s not just the crisp score by Jerry Herman or the pungent humor of Harvey Fierstein’s lyrics. It is truly the message of becoming a decent human being and knowing who you are, and why, that’s allowed me to love “La Cage” over the years.
There's a commonly held misconception in Rhode Island that the jewelry industry is washed up, kaput, a victim of the ravaged manufacturing sector. But according to the Rhode Island Economic Development Corporation, we have the highest concentration of jobs in the jewelry industry in the United States. This morning as we continue our 'Made in Rhode Island' series, Rhode Island Public Radio's Flo Jonic delves into the jewelry industry through the eyes of three of its players:
We were happy to be a part of the Newport Jazz Festival this weekend. Our tent was right next to the stage, so Chief Engineer, Aaron Read set up a camera looking out over the crowd and captured this time-lapse video. Thanks to everyone who stopped by to say "Hi!"
Ah, yes. “The sun’ll come out tomorrow/Bet your bottom dollar.” Most of us remember that lyric. And you know, when “Annie,” after trying out at the Goodspeed Opera House, opened on Broadway in 1977 it definitely earned a lot more than a buck. With its bouncy music and improbable but oh-so-charming, very American narrative the show was up for 18 Tony Awards, and won 14, including “Best Musical.”
The show then traveled from Boston to Bangkok as Annie and her dog Sandy, and her multi-millionaire benefactor Daddy Warbucks, made the sun shine once again around the world.
A mural commissioned to mark Rhode Island Hospital’s 150th anniversary was unveiled Tuesday morning in Providence.
Dolphins, whales, harbor seals and an octopus mingle among the blue and violet waves that roll down the walls of the Eddy Street underpass. Artist Kenn Speiser says the waves are meant to have a calming effect on drivers as they buzz by.
Speiser and his team painted during the day for about three weeks, getting plenty of feedback along the way.