Providence, RI – This 2008 episode features Curt Columbus and company members Anne Scurria, Barbara Meek and Janice Duclos, and a special guest from Trinity Rep's Young Actors Studio, Molly Allen, with stories and poems that explore the relationship between mothers and daughters:
Providence – Deborah Becker speaks with two artist who will be among the hundreds of artists and performers at First Night Providence this year. Storyteller Tejumola Ologboni discusses why he describes himself as a 'verbal illusionist' and talks about his the african heritage of his storytelling Ellen Santaniello, of the Zorgina Vocal Ensemble discusses their focus on music about women. We also talk with Artistic Director Kathleen Pletcher.
120 years ago, a group of artists formed the Providence Arts Club.
By Deborah Becker
Providence – Because of a lack of exhibition space and artist gathering places in Providence, a group of artists and collectors formed an art club in the city.
While that sounds as something that could happen in 2002, this occurred 120 years ago when the Providence Art Club was formed. The club, which is often compared with its contemporary AS220, now has some 700 members and changes its gallery exhibits every two weeks.
"Cloud Nine" compares the repressive sexual mores of the Victorian age with the erotic free-for-all of the 1980s.
By Bill Marx
Providence, RI –
When "Cloud Nine" premiered in 1980, its satiric target was Prime Minister Margaret Thatcher and her conservative reinvention of the British Empire. Today, a liberal prime minister, Tony Blair, is in charge of the country and the progressive ideals championed by playwright Caryl Churchill look somewhat tweedy. The sexual revolution has long come and gone.
Geoffrey O'Brien's new book charts the terrain for "Castaways of the Image Planet."
By Tim Riley
Boston, MA –
Twenty years ago, the stately "New York Review of Books" didn't deign to cover much pop culture, aside from analytic examinations of boxing (via Joyce Carol Oates) or the peculiar ruminations of John Updike on his crushes for such movie stars as Doris Day. The exceptions prove the rule: Joan Didion got a free pass on pop subjects, but that was because she turned in rigorous pieces on cultural politics.