Veterans are more complete citizens, I think. We hold our country closer, and we know our country better for having gotten on the bus and gone to boot camp and earned the right to train and fight, get scared and get drunk with the richest mix of Americans to be found anywhere.
I remember the farm kids and the ghetto kids and the kids gone to the Marines instead of prison. I remember the kids like me who wanted to break from college-bred predictability and take a mad leap into the unknown. Some of us were looking for our hard side and found we didn’t have one.
You know I checked out the history of “Dial M” before I went to see Ocean State's production. Found a 1984 New York Times review which said that the 30 or so years that had passed since its first showing had not dimmed the play's charms. Still crisp and quick, the reviewer maintained.
Being crowded together in tiny seats and dealing with an over-humid atmosphere has never stopped Festival Ballet's audience from filling the company's main rehearsal hall for “Up Close on Hope.” Showing a number of new works, the latest edition began last weekend. Bill Gale was there.
Yes, and I was happy to be there, too. But after seeing nine short numbers – some of them world premieres – I began to wonder if today's rising choreographers aren't a . . . little bit depressed.
Award winning musician Regina Carter is a genre bending violinist. Though classically trained, she’s made a career recording jazz, folk and fiddle styles. She’s performed around the world, but this week Carter was in Rhode Island spending time with local music students. This was one stop she made in a series of events by FirstWorks, including a concert Saturday night at RISD.