Fresh Air

Two New Stories With A New-Wave Vibe

David Edelstein — Fri, 24 May 2013 16:31:00 +0000

Lately I've been re-watching vintage Truffaut movies, and I've been struck by the resurgent influence on American independent films of the French New Wave of the late '50s and '60s.

The Truffaut borrowings are fairly explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests.

Remembering Ray Manzarek, Keyboardist For The Doors

editor — Fri, 24 May 2013 15:11:00 +0000

This interview was originally broadcast in 1998.

The mythology surrounding The Doors has centered largely on its lead singer, Jim Morrison, who died under mysterious circumstances in 1971. Morrison is still considered one of rock music's tortured poets and sex gods, but instrumentally, The Doors' distinctive sound was based on Ray Manzarek's keyboard playing.

Marcus Samuelsson: On Becoming A Top Chef

editor — Fri, 24 May 2013 14:55:00 +0000

A longer version of this interview was originally broadcast on June 28, 2012.

Marcus Samuelsson owns two restaurants in New York City and two restaurants in Sweden. He's cooked for President Obama and prime ministers, served as a judge on Top Chef and Chopped, and recently competed against 21 other chefs on Top Chef Masters.

Julianne Moore, Relishing Complicated Characters

editor — Thu, 23 May 2013 20:03:00 +0000

In the film What Maisie Knew, Julianne Moore plays a troubled rock star whose young daughter witnesses her parents' volatile behavior as they argue over custody during their rocky separation.

On the surface, Moore's character, Susanna, might seem to be an entirely terrible one — a self-involved person and inappropriate mother who's not paying attention to her child. But Moore makes her more complicated than that.

"What's interesting to me about Susanna as a mother, particularly, is how inconsistent she is," Moore tells Fresh Air's Dave Davies.

Douglas, Damon Illuminate HBO's 'Candelabra'

David Bianculli — Thu, 23 May 2013 18:09:00 +0000

Before you see any of Behind the Candelabra -- when you just consider the concept of the TV movie and its casting — this new HBO Films production raises all sorts of questions: How much will be based on verifiable fact, and how much will be fictionalized? On an anything-goes premium-cable network such as HBO, how graphic will the sex scenes be?

And the most important questions involve the drama's two leading men, playing an ultra-flamboyant piano player and the wide-eyed young man who becomes his behind-the-scenes companion for five years. Michael Douglas?

Fictional 'Mothers' Reveal Facts Of A Painful Adoption Process

editor — Wed, 22 May 2013 17:08:00 +0000

After years of trying to conceive, novelist Jennifer Gilmore and her husband decided to pursue a domestic open adoption. They were told they'd be matched within a year; it took four. And along the way they faced complicated decisions and heartbreak.

Gilmore, who has channeled those decisions and heartbreaks into personal essays and articles for outlets such as The New York Times and The Atlantic, has now turned to fiction, her native genre, to explore the experience.

Daft Punk: Accessing Electronic Music's Humanity

Ken Tucker — Wed, 22 May 2013 15:14:00 +0000

I freely admit that, until the new Random Access Memories, I wasn't much of a Daft Punk fan. I could appreciate the craft and imagination that went into creating the French duo's mixture of electronic genres — techno, house, disco — but the mechanical repetitions and heavily filtered vocals didn't turn me on in any other way.

But now, Thomas Bangalter and Guy-Manuel de Homem-Christo have come up with an album that exposes the human side of their musical impulses.

Soderbergh's Liberace, 'Behind The Candelabra'

editor — Tue, 21 May 2013 16:51:00 +0000

Director Steven Soderbergh had been looking for a way to frame a film about the extravagant entertainer Liberace for years when a friend recommended the book Behind the Candelabra: My Life with Liberace.

The book — a memoir — is by Scott Thorson, who for five years was Liberace's lover, though that wasn't publicly disclosed at the time.

Thorson was 40 years younger than Liberace and still in his teens when they met in 1977.

Brooks: "I'm An EGOT; I Don't Need Any More"

editor — Mon, 20 May 2013 17:40:00 +0000

Over the 60 years that Mel Brooks has been in the entertainment business, his name has become synonymous with comedy.

Sarah Vaughan: A New Box Set Revels In Glorious Imperfections

Kevin Whitehead — Mon, 20 May 2013 17:01:00 +0000

Singer Sarah Vaughan came up in the 1940s alongside bebop lions Dizzy Gillespie and Charlie Parker, starting out in Earl Hines' big band. Hines had hired her as his singer and deputy pianist, while Gillespie praised her fine ear for chords as she grasped the arcane refinements of bebop harmony.