Bill Gale

Performing Arts Critic

Bill Gale has had a widely varied career (including a stint as an air traffic controller) before dedicating himself to The Providence Journal for 35 years — 25 of those as the Journal's theater and dance critic. He is the former executive committee chair of the Foundation of the American Theater Critics Association and currently serves on their board.Gale has received a variety of awards including a Lifetime Achievement Award from the New England Theatre Conference. He has taught at Rhode Island College and Roger Williams University, and is currently an Admiral at Hope High School. He is married to clinical social worker Peggy Gale and is the father of two children. And he loves working in radio.

Ways to Connect

Mark Turek / Trinity Rep

As we know, Christmas comes but once a year. And this time around Trinity Rep is presenting its evergreen production of “A Christmas Carol” earlier than usual. Rhode Island Public Radio’s Bill Gale says that’s a good thing, for several reasons.

“A Christmas Carol” continues at Trinity Rep through December 31st. Bill Gale reviews the performing arts for Rhode Island Public Radio

Courtesy Gamm Theatre

Confrontations between white police officers and people of color may be the main public conflict in the United States these days. At the Gamm Theatre, a play called “The Rant” looks into the issue, and goes on to possibly even deeper questions. Rhode Island Public Radio’s Bill Gale has the review.

“The Rant” continues through December 13th at the Gamm Theatre in Pawtucket. Bill Gale reviews the performing arts for Rhode Island Public Radio.

Maggie Hall / Ocean State Theatre

Warwick’s Ocean State Theatre opens the season with a mixture of music and dark humor. Rhode Island Public Radio theatre critic Bill Gale was mostly won over by The Addams Family: The Musical.

The Addams Family: The Musical runs through October 25th at Ocean State Theatre in Warwick. Bill Gale reviews the performing arts for Rhode Island Public Radio.

Trinity Repertory Company

Rhode Island's theater community said a final farewell this week to longtime Trinity Repertory Company member Barbara Meek. The Detroit native passed away on Saturday. She was 81-years-old.

Meek acted in more than 100 plays at Trinity Rep., including the current production  of "Julius Caesar," which had her on stage up until the week before she died. Over her decades-long career, she also had roles on Broadway and television.

Rhode Island Public Radio arts critic Bill Gale shared his memories of Meek, both on and off the stage, in this audio postcard.

2nd Story Theatre

Ed Shea, artistic director of Warren's 2nd Story Theatre, had to ring up theater folk in London for permission to do “Dangerous Corner,” a mostly forgotten 1930s play by J.B. Priestley. Bill Gale says the result is, somewhat mixed.

Maggie Hall / Wilbury Theatre Group

Using the same theater space where Trinity Rep began more than 50 years ago, The Wilbury Group is another young theater willing to take a chance. Bill Gale says their latest work, “Dry Land,” is certainly risky.

Ah, yes, so it is. Written by Ruby Rae Spiegel when she was still an undergraduate at  Yale University, “Dry Land” rushes you into a vortex of, well, you could say a bunch of  kids being young and stupid.

Erin X. Smithers / Mixed Magic Theatre

The Mixed Magic Theatre in Pawtucket has begun its season with a play that opened some minds back in 1965. It was called “Day of Absence” and its plot – and its warning – still has something to say. 

Bill Gale has the review.

Peter Goldberg / The Gamm Theatre

So far, the Southern New England arts season has been a place for serious theater. Trinity Rep opened with Shakespeare's “Julius Caesar.” And now, Pawtucket's Gamm Theatre has presented Tennessee Williams' deep and driving “A Streetcar Named Desire.”

Mark Turek / Trinity Rep

Theater season kicked off this week in Southern New England with a contemporary version of Shakespeare's “Julius Caesar” at Trinity Rep. Rhode Island Public Radio theater critic Bill Gale says there's hardly a better way to begin.

Mark Turek / Ocean State Theater

The Ocean State Theatre in Warwick is reviving one of the big musical hits of the 1950s, “Gypsy,” a story about family, show business and the life of the striptease artist Gypsy Rose Lee.  Bill Gale says that despite some problems “Gypsy” is still worth seeing, one more time.

That's right. For you see “Gypsy” is one of those musicals you could call a “But, still . . .” piece of work.

Steven Richard / Theatre by the Sea

When “My Fair Lady” debuted on Broadway in 1956 it was an immediate classic. The “perfect musical” one review said. But how does this oft-repeated winner look today, almost 60 years later? Bill Gale says the version now at Theater by the Sea lets you know why “My Fair Lady” is still singing.

Mark Turek / Trinity Rep

The right of all Americans to be down-hearted once in a while is brought up -- and defended -- in a new musical comedy having its premiere at Trinity Rep. Bill Gale says it  can have you laughing out loud, and thinking, too.

Sarah Ruhl is a playwright known for her off-beat but well put together plays. “The Clean House,” has a Brazilian maid who cares only to find the perfect joke which then turns to a narrative about being joyful in the face of death and dying. Or in “Dead Man's Cell Phone” Ruhl looks at the societal disconnection brought about by the digital age.

Maggie Hall / Wilbury Theatre Group

Serious mental illness might well seem an unlikely jumping off point for musical theater. But with “Next to Normal,” now at the Wilbury Group in Providence, the subject becomes a powerful drama mostly well done. 

Brian Yorkey, who wrote the book and lyrics for the engrossing “Next to Normal” once opined that “musicals can be ridiculous.”

“You know, all those people breaking into song all the time,” he said. But the author also  pointed out that, somehow, a good musical can be “sublime.”

Richard W. Dionne, Jr. / 2nd Story Theatre

British playwright Joe Orton is probably best remembered for his loopy yet fiery comedy's “Loot” and “What the Butler Saw”. But his seminal piece was “Entertaining Mr. Sloane” a 1964 trouble-making work now being revived by 2nd Story Theatre in Warren.

When you enter 2nd Story's upstairs performing space these nights you'll be greeted by some real oldies. No, not the ushering staff. The recorded music being played: Petula Clark's “Downtown” The Seekers “Georgy Girl” and even “She's Not There” by the Zombies.

Peter Goldberg / Gamm Theatre

The Gamm Theatre is closing its season with a play reaching back to the French Revolution and the Enlightenment. It's a crackling production. But is there a connection to today? Not so much.