Back in 1988, it wasn't until the 62nd round of the Major League Baseball Amateur Draft that the Los Angeles Dodgers finally picked Mike Piazza. Nobody expected him to make it in the big leagues. But he did. He made his major league debut with the Dodgers on Sept. 1, 1992, and he hit his first home run just 12 days later.
In his profile of Supreme Court Justice Ruth Bader Ginsburg in this week's issue of The New Yorker, Jeffrey Toobin writes: "Ginsburg has suggested that she would like to serve as long as Louis Brandeis, her judicial hero, who retired at eighty-two." Ginsburg turns 80 this month and is marking her 20th year on the court. She has had cancer — colon and pancreatic — and her tiny, frail-looking stature leads many people to wonder if she'll be retiring soon.
Man awakens to find out he has turned into an insect. And the Double Jeopardy question is, "What is Kafka's The Metamorphosis?" Well, what other response could there possibly be? Kafka all but cornered the market on that verminous plot in 1915; although, after nearly 100 years, the exclusivity clause may be about to expire. It takes a gutsy writer to pad in Gregor Samsa's sticky steps, but, by now, Rebecca Miller is clearly used to coping with the anxiety of influence and staying true to her own vision.
The high lonesome sound of Ashley Monroe's Tennessee voice in "Like a Rose" serves as a clear signal that she's working within a tradition that extends back well beyond her twentysomething years on Earth. One of Monroe's collaborators in that song was Guy Clark, a seventysomething Texas country veteran who's often too tough-guy romantic for his own good.
As early as silent film, directors attempted to create widescreen images. But in the 1950s it became a commercial necessity to give the multitude of new TV watchers what they couldn't get on a small screen. So even before CinemaScope, VistaVision, Todd-AO and Panavision, there was Cinerama — a process in which three projectors threw three simultaneous images onto a gigantic curved screen. Cinerama offered what no TV or movie screen could provide before — peripheral vision, which could make you feel as if you were really in the midst of the action.
In HBO's <em>Enlightened, </em>Laura Dern stars as corporate executive Amy Jellicoe, who returns from a post-meltdown retreat to pick up the pieces of her broken life. Series creator Mike White stars as Tyler, Amy's friend and co-worker.
Credit Lacey Terrell / HBO
White based much of the story of <em>Enlightened </em>on his own workplace frustration and resulting therapy. The show has just completed its second season on HBO.
The HBO series Enlightened wrapped up its second season Sunday night. The show began as the story of a woman — the naive, idealistic, manipulative, determined and sincere Amy Jellicoe, played by Laura Dern — trying to put her life back together in the wake of a breakdown. After spending a couple of months at a New Age recovery center in Hawaii, Amy attempts to apply what she has learned to her life back in the real world of corporate America.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
Stoker has a ripely decadent, creepy-crawly feel that would have gotten under my skin if the tone weren't so arch and the people so ghoulishly remote. It's like a bad Strindberg play with added splatter. But director Park Chan-wook certainly works to make you uncomfortable. Take the early shot in which the teenage girl protagonist, India Stoker, played by Mia Wasikowska, sits in a meadow and muses in voiceover on the subject of free will versus destiny. She says, "Just as a flower doesn't choose its color, so we don't choose what we are going to be" — while draining a blister.