Some people, many actually, are enthralled by this musical taken almost completely from a poem by that Anglo-American literary icon, T.S. Eliot. “Cats” lovers adore the music by Andrew Lloyd-Webber and are happy to forget about the almost plotless story line that finds a beat-up old cat restored to vibrant life.
Others, myself included, enjoy much of the music but really find “Cats” to be a clawless work, more a stagnant showing off piece than anything else.
Going forward with a famous musical is generally a matter of copying. After all, if you are putting on “Annie” or “Nunsense” you aren’t going to change things—just try to do a crowd-pleasing show as well as you can.
But that’s not the case with Bertolt Brecht and Kurt Weill’s “Three Penny Opera.”