Being crowded together in tiny seats and dealing with an over-humid atmosphere has never stopped Festival Ballet's audience from filling the company's main rehearsal hall for “Up Close on Hope.” Showing a number of new works, the latest edition began last weekend. Bill Gale was there.
Yes, and I was happy to be there, too. But after seeing nine short numbers – some of them world premieres – I began to wonder if today's rising choreographers aren't a . . . little bit depressed.
Ah, yes, definitely. You could call this “Up Close” wide-ranging. Then again you could say, ahh, it’s a mixed bag. But, fortunately, this show has enough fine work – some powerful dancing, and one emotionally charged piece – to make it worth recommending.
What artistic director Misha Djuric has done this time is turn basically to his own company for inspiration and dances. The result shows work from young dancers that are sometimes amusing, sometimes not so much. Then again Festival’s stronger veterans also put forth some fine work.
This latest “Up Close” offers dances from the 19th century to world premieres. Topics range from a smartly funny, and goofy, piece called “Tea Time” to a heart-rending vision of the end of life. The music? Well, that goes from Igor Stravinsky and Gustav Mahler to Ray Charles and Jacques Brel.
The dancing by Festival’s best is, generally, at a high level. And, of course, in that rehearsal room the dancers are right there in front of you.