Bill Gale

Theater Reviews
2:17 am
Wed April 16, 2014

Contemporary Theater Company’s “Cloud Nine” Worth Catching

Ah, yes, welcome back, “Cloud Nine.” Churchill’s play was a hit in certain quarters back there when the world as we knew it seemed to be tumbling onto a landscape that was unclear and wonderful and scary.

The play won an Obie, Off Broadway’s version of the Tony Awards. It was done around the country by risk-taking regional theaters including a crackerjack production in the 1983-84 season at what we then called the Trinity Square Repertory Company in Providence.

Read more
Theater Reviews
6:35 am
Fri April 4, 2014

The Gamm’s Macbeth Is A Big Bang Production

Jeanine Kane as Lady Macbeth in The Gamm Theatre's production of MacBeth.
Credit Peter Goldberg

Well, that’s right. Filled with shouting, drumming and blood, blood, blood, this Macbeth is a fearsome production. Director Fred Sullivan Jr. has missed no chance to put a point right under your nose, and into your ears.  Drums pound, soldiers shout and women weep.

Read more
Arts & Culture
5:16 am
Thu April 3, 2014

Festival Ballet Delivers Fine Work, Powerful Dancing

Ruth Whitney and Alan Alberto dance in Festival Ballet's Up Close on Hope.
Credit Thomas Nola-Rion

Ah, yes, definitely. You could call this “Up Close” wide-ranging. Then again you could say, ahh, it’s a mixed bag. But, fortunately, this show has enough fine work – some powerful dancing, and one emotionally charged piece – to make it worth recommending.

What artistic director Misha Djuric has done this time is turn basically to his own company for inspiration and dances. The result shows work from young dancers that are sometimes amusing, sometimes not so much. Then again Festival’s stronger veterans also put forth some fine work.

Read more
Theater Review
4:24 am
Wed February 26, 2014

Trinity Rep's "Oliver!" Is A Solid Winner

Phineas Peters as Oliver and Noah Parets as Artful Dodger in Trinity Rep's Oliver! by Lionel Bart, based on Oliver Twist by Charles Dickens. Directed by Richard and Sharon Jenkins, set design by Eugene Lee, costume design by WIlliam Lane.
Credit Mark Turek

 

It certainly is. With a book, and music and lyrics, by the era’s one-time

wunderkind, Lionel Bart, “Oliver!” received 23 curtain calls opening night and

sailed on for six years in London’s West End. Then it became a Broadway hit and

there was a very successful film, too.

 

Later on, producer Cameron Macintosh took over and ran successful revivals.

Many theater fans loved “Oliver!” for its gutsy, and plucky, drive. It’s wistful

happy ending helped, too.

 

Read more
Theater Reviews
3:15 am
Fri February 7, 2014

2nd Story’s “Seven Keys To Baldpate” Is Quick & Bright

Ara Boghigian is William Hallowell Magee,and Tanya Anderson is Myra Thronhill in George M. Cohan’s “Seven Keys to Baldpate”
Credit Richard W. Dionne, Jr.

Right-o. Let me say it up front. “Seven Keys to Baldpate” at 2nd Story is nothing less than a charmer. It’ll tickle your funny bone and warm your heart in the middle of this obstreperous winter of our discontent.

Okay, that’s enough of 1913-type hyperbole. But there’s no question that the Providence-born Cohan knew what he was doing. He adapted “Baldpate” from a novel by the author of the Charlie Chan film series. He said the play is both a farce and a melodrama. He was right on both counts.

On-stage, “Baldpate” is filled with goofy moments and overwrought happenings.

Read more

Pages