Credit Peter Goldberg / The Gamm TheatreCasey Seymour Kim and Alexander Platt in "Far Away" by Caryl Churchill, directed by Tony Estrella.Edit | Remove
For decades, English playwright Caryl Churchill has been accorded Goddess stature in the upper reaches of play writing circles. Fiercely political, strongly on the left, Churchill made her mark with plays of attitude and insight.
Okay, full disclosure. I have a major soft spot for “La Cage.” Ever since I was one of the many who stood and cheered at the end of the 1983 pre-Broadway tryout at Boston’s Colonial Theatre I’ve wanted “La Cage” to succeed wherever it plays.
And it’s not just the crisp score by Jerry Herman or the pungent humor of Harvey Fierstein’s lyrics. It is truly the message of becoming a decent human being and knowing who you are, and why, that’s allowed me to love “La Cage” over the years.
Watching the Gamm’s splendid, perfectly sharp, gloriously acted production of “Beauty Queen” was, for me at least, a trip down two very different roads. On one hand, I kept thinking of the legions of travel advertisements we’ve all seen. Ahh, the green of Ireland, the rolling hills, the charming little towns, the friendly pubs. Where have you gone Rick Steves?
Oh my goodness, folks, those wacky Brits are back. They arrived Monday night in a slippery snowstorm using as their invasion vehicle the much anticipated, and much hyped, “Anne Boleyn” by veteran troublemaking playwright Howard Brenton. You will remember his work if you caught the deliciously provocative play “Paul” which celebrated the life of St. Paul at the Gamm a while ago.