All this week we're marking Brown University's 250th with a series of conversations with graduates, leaders and historians. Thursday we're focusing on the arts. Rhode Island Public Radio's Bill Gale sat down with alum and playwright Lynn Nottage about her work and the future of the theater.
Phineas Peters as Oliver and Noah Parets as Artful Dodger in Trinity Rep's Oliver! by Lionel Bart, based on Oliver Twist by Charles Dickens. Directed by Richard and Sharon Jenkins, set design by Eugene Lee, costume design by WIlliam Lane.
That is for sure. Playwright Lynn Nottage, a Brown graduate, has called “Intimate Apparel” a “meditation on loneliness.” Surely that is a more exact, more piercing description of this lovely, incisive and heartbreaking work at Trinity Rep.
“Intimate Apparel” is one of those plays that will have you confused sometimes, a little bored perhaps, and then will suddenly strike, make you fall for the people involved and for the ideas being put forth. It’s a play most worth seeing, and thinking about.
Right-o. Let me say it up front. “Seven Keys to Baldpate” at 2nd Story is nothing less than a charmer. It’ll tickle your funny bone and warm your heart in the middle of this obstreperous winter of our discontent.
Okay, that’s enough of 1913-type hyperbole. But there’s no question that the Providence-born Cohan knew what he was doing. He adapted “Baldpate” from a novel by the author of the Charlie Chan film series. He said the play is both a farce and a melodrama. He was right on both counts.
Ah, yes, ahh, “The Iliad.” By Homer. We all know that. Helen of Troy. Achilles Agamemnon. Lots of battles, murders and . . . Well, you know truth is that a lot of folks, myself certainly included, pretty much slept through any course we ever took on “The Iliad.” We ended up with not a whole lot more than the ability to say, “Oh, yes, the Iliad. By Homer.” Haven’t looked at that in years.”
In an interview concerning the New York production of “The Big Meal” the 33- year-old author, Dan LeFranc, makes a point of saying that his own growing up saw, quote, “lots of support but also a ton of friction and fear.” And that was “critical in making me the kind of writer and person I am today,” he added.
Well, that would be a guy who has sharp instincts both for the jugular and the heart. “The Big Meal” checks out those eight folks in all kinds of ways.
Ah, yes. Good old Chris Durang. What’s he gotten into now? Over the years he’s been known for such ideosyncratic shows as “Sister Mary Ignatius Explains It All For You, “The Marriage of Bette and Boo” and, of course, “The Idiots Kasamazov.”
But Durang’s nicely into his 60’s now. Perhaps he’s calmed down a bit?
Well, no. “Vanya and Sonia and Masha and Spike” concerns Bucks County, PA., Snow White, licking postage stamps, movie stars, the theatuh, voodoo, pricks, getting old and the significance of the blue heron. Among many other things.
Ah yes, the late Vince Lombardi. I can see him now, back in the black and white TV era of the 1960s. He’s standing like a statue on the sidelines on the tundra that is a Green Bay football field. Legs apart, polo coat covering his broad shoulders, absurd fedora on his head. And most of all there’s his shouting, bellowing, at anyone nearby. The refs, his own players, his assistant coaches, were all fair game, targets of his single minded drive.
Credit Peter Goldberg / The Gamm TheatreCasey Seymour Kim and Alexander Platt in "Far Away" by Caryl Churchill, directed by Tony Estrella.Edit | Remove
For decades, English playwright Caryl Churchill has been accorded Goddess stature in the upper reaches of play writing circles. Fiercely political, strongly on the left, Churchill made her mark with plays of attitude and insight.