Pulitzer Prize winning playwright Donald Margulies once said that he loves “. . .smart, complicated women. . .”
Well, in just two hours (with an intermission) he lets us look in on two females who meet that criteria, and more. “Collected Stories” takes place entirely in the Greenwich Village apartment of one Ruth Steiner, an award-winning author/professor. She's sharp as a whip, tight as a drum and both prissy and provocative. Lives alone and likes it. Or at least thinks she does.
Written by artistic director Tony Estrella, from the award-winning novel by British expatriate Barry Unsworth, “Morality Play” sweeps through a raucous, roiling time of murder and madness, of corruption, of just plain hard times. It's a tidal wave of provocation and problems. Change is good? Sometimes. And sometimes it's not.
“Meet Me in St. Louis” is a charmer, a sweet, old fashioned, happy- go-lucky musical of the kind we just don't see anymore. It's filled with wonderful, if saccharine sweet, songs. It tells a tale of a family loving, and battling, and always coming through.
Way back in 1843 when Charles Dickens' “A Christmas Carol” was published in London one reviewer called it “. . . a dainty dish to put before a king.” Well, Bill Gale is not entering hyperbole land quite that much. But he does say that this year's on-stage version at Trinity Rep is a winner.
You know I checked out the history of “Dial M” before I went to see Ocean State's production. Found a 1984 New York Times review which said that the 30 or so years that had passed since its first showing had not dimmed the play's charms. Still crisp and quick, the reviewer maintained.
A group of arts organizations from across the state are joining forces to garner support for major arts funding. The money must be approved by voters on a referendum November 4th.
At stake is $35 million in funding. 23 million would go towards matching funds for construction and renovation projects at nine facilities across the state. Those include Trinity Repertory Company, the Chorus of Westerly, and the Rhode Island Philharmonic and Music School.
Ah, yes, “Hay Fever” one of those plays that became known as “a comedy of manners.” But in truth Coward's 1925 hit really ought to be called a “comedy of ill manners.”
It's Coward's view of a famous family being famously, uproariously, ridiculously bad mannered to point of forcing the family's so-called “guests” to split, to sneak out of the house, to take any measures to get away from the family's self-regard, their “I really don't give a hoot for anything or anyone but myself” attitude.
Well, yes it does. At the Ocean State in Warwick “Guys and Dolls” – admittedly one of my all-time favorite musicals – comes across as a bifurcated project. On the one hand there is still that marvelous score by Frank Loesser, songs that can break your heart and make you laugh out loud. Under music director Justin P. Cowan they are handled well by a cast of good singers who know how to offer a song without seeming to force it.
It’s September, 1939 and the carnage of World War II is just beginning. Germany has invaded Poland. The British and their allies are preparing to fight. The world is on edge.
And, frankly, so are Dr. Freud and Professor Lewis, two of the great intellectuals of their time who are meeting in Freud’s office in England. But it’s not the Nazi war machine or the reluctant answer of its provocations by the British that’s under debate.