Ah, yes. Good old Chris Durang. What’s he gotten into now? Over the years he’s been known for such ideosyncratic shows as “Sister Mary Ignatius Explains It All For You, “The Marriage of Bette and Boo” and, of course, “The Idiots Kasamazov.”
But Durang’s nicely into his 60’s now. Perhaps he’s calmed down a bit?
Well, no. “Vanya and Sonia and Masha and Spike” concerns Bucks County, PA., Snow White, licking postage stamps, movie stars, the theatuh, voodoo, pricks, getting old and the significance of the blue heron. Among many other things.
Ah yes, the late Vince Lombardi. I can see him now, back in the black and white TV era of the 1960s. He’s standing like a statue on the sidelines on the tundra that is a Green Bay football field. Legs apart, polo coat covering his broad shoulders, absurd fedora on his head. And most of all there’s his shouting, bellowing, at anyone nearby. The refs, his own players, his assistant coaches, were all fair game, targets of his single minded drive.
Credit Peter Goldberg / The Gamm TheatreCasey Seymour Kim and Alexander Platt in "Far Away" by Caryl Churchill, directed by Tony Estrella.Edit | Remove
For decades, English playwright Caryl Churchill has been accorded Goddess stature in the upper reaches of play writing circles. Fiercely political, strongly on the left, Churchill made her mark with plays of attitude and insight.
Okay, full disclosure. I have a major soft spot for “La Cage.” Ever since I was one of the many who stood and cheered at the end of the 1983 pre-Broadway tryout at Boston’s Colonial Theatre I’ve wanted “La Cage” to succeed wherever it plays.
And it’s not just the crisp score by Jerry Herman or the pungent humor of Harvey Fierstein’s lyrics. It is truly the message of becoming a decent human being and knowing who you are, and why, that’s allowed me to love “La Cage” over the years.
Financial pressures have forced the temporary closure of the Courthouse Center Stage in West Kingston. The popular theater will be mothballed for six months as it mounts a $100K capital drive, according to board member Anna Prager. "Yes, I am extremely disappointed but at the same time I am hopeful that if we suspend programming and concentrate on fundraising we can start in new and better shape."
Prager says they cut back staff so much they realized it was impossible to mount productions, raise money and tend to an aging, historic building all at the same time.
With their very fine new performing space (excellent sight lines, comfortable seats, good facilities) it seems a shame that Ocean State has picked a weak-at-the-knees Neil Simon play to officially open Rhode Island’s newest theater.
If you had just one word to describe the powerful, incisive version of “Amadeus” at 2nd Story that might be it. After all, even when you enter the performing space you notice the dim. A couple of lights, a candle or two, and that’s it. Watch your step, and maybe get out those reading glasses if you care to check the program.