First I’d like to say that “Sylvia” is an absolute true charmer of a play. It’s laugh out loud funny and can prompt small smiles, too. At 2nd Story, director Pat Hegnauer has given it force and speed and reached to its serious undercurrent, too. This is one of the very best productions of the current theater season. Don’t miss it.
Okay, about explaining it all. Playwright A.R. Gurney, best known for “Love Letters” and “The Dinner Party,” has set it up simply. A middle-aged couple with
Well, that’s right. Filled with shouting, drumming and blood, blood, blood, this Macbeth is a fearsome production. Director Fred Sullivan Jr. has missed no chance to put a point right under your nose, and into your ears. Drums pound, soldiers shout and women weep.
Richardo Pitts-Wiley and his wife Bernadette are being recognized with an award of special distinction by the Pawtucket Foundation for their work at Mixed Magic Theatre. The couple founded the theater as a way to create a diverse acting community.
He joined Rhode Island Public Radio’s Chuck Hinman in the studio to talk about theater, diversity and the arts.
Do you have insight or expertise on this topic? Please email us, we'd like to hear from you. firstname.lastname@example.org
All this week we're marking Brown University's 250th with a series of conversations with graduates, leaders and historians. Thursday we're focusing on the arts. Rhode Island Public Radio's Bill Gale sat down with alum and playwright Lynn Nottage about her work and the future of the theater.
Phineas Peters as Oliver and Noah Parets as Artful Dodger in Trinity Rep's Oliver! by Lionel Bart, based on Oliver Twist by Charles Dickens. Directed by Richard and Sharon Jenkins, set design by Eugene Lee, costume design by WIlliam Lane.
That is for sure. Playwright Lynn Nottage, a Brown graduate, has called “Intimate Apparel” a “meditation on loneliness.” Surely that is a more exact, more piercing description of this lovely, incisive and heartbreaking work at Trinity Rep.
“Intimate Apparel” is one of those plays that will have you confused sometimes, a little bored perhaps, and then will suddenly strike, make you fall for the people involved and for the ideas being put forth. It’s a play most worth seeing, and thinking about.
Right-o. Let me say it up front. “Seven Keys to Baldpate” at 2nd Story is nothing less than a charmer. It’ll tickle your funny bone and warm your heart in the middle of this obstreperous winter of our discontent.
Okay, that’s enough of 1913-type hyperbole. But there’s no question that the Providence-born Cohan knew what he was doing. He adapted “Baldpate” from a novel by the author of the Charlie Chan film series. He said the play is both a farce and a melodrama. He was right on both counts.
On-stage, “Baldpate” is filled with goofy moments and overwrought happenings.
Ah, yes, ahh, “The Iliad.” By Homer. We all know that. Helen of Troy. Achilles Agamemnon. Lots of battles, murders and . . . Well, you know truth is that a lot of folks, myself certainly included, pretty much slept through any course we ever took on “The Iliad.” We ended up with not a whole lot more than the ability to say, “Oh, yes, the Iliad. By Homer.” Haven’t looked at that in years.”
In an interview concerning the New York production of “The Big Meal” the 33- year-old author, Dan LeFranc, makes a point of saying that his own growing up saw, quote, “lots of support but also a ton of friction and fear.” And that was “critical in making me the kind of writer and person I am today,” he added.
Well, that would be a guy who has sharp instincts both for the jugular and the heart. “The Big Meal” checks out those eight folks in all kinds of ways.