theater

Richard W. Dionne, Jr.

It’s September, 1939 and the carnage of World War II is just beginning. Germany has invaded Poland. The British and their allies are preparing to fight. The world is on edge.

And, frankly, so are Dr. Freud and Professor Lewis, two of the great intellectuals of their time who are meeting in Freud’s office in England. But it’s not the Nazi war machine or the reluctant answer of its provocations by the British that’s under debate.

Mark Turek / Trinity Rep

There’s a myriad of ways to approach “A Lie of the Mind” and the huge production at Trinity. First of all is the fantasia of a set by director Brian Mertes and the ever-inventive designer Eugene Lee.

Richard W. Dionne, Jr. / 2nd Story Theatre

First I’d like to say that “Sylvia” is an absolute true charmer of a play. It’s laugh out loud funny and can prompt small smiles, too. At 2nd Story, director Pat Hegnauer has given it force and speed and reached to its serious undercurrent, too. This is one of the very best productions of the current theater season. Don’t miss it.

Okay, about explaining it all. Playwright A.R. Gurney, best known for “Love Letters” and “The Dinner Party,” has set it up simply. A middle-aged couple with

Peter Goldberg

Well, that’s right. Filled with shouting, drumming and blood, blood, blood, this Macbeth is a fearsome production. Director Fred Sullivan Jr. has missed no chance to put a point right under your nose, and into your ears.  Drums pound, soldiers shout and women weep.

Catherine Welch / RIPR

Richardo Pitts-Wiley and his wife Bernadette are being recognized with an award of special distinction by the Pawtucket Foundation for their work at Mixed Magic Theatre. The couple founded the theater as a way to create a diverse acting community.

He joined Rhode Island Public Radio’s Chuck Hinman in the studio to talk about theater, diversity and the arts.

Do you have insight or expertise on this topic? Please email us, we'd like to hear from you. news@ripr.org

Ambar Espinoza / RIPR

All this week we're marking Brown University's 250th with a series of conversations with graduates, leaders and historians. Thursday we're focusing on the arts. Rhode Island Public Radio's Bill Gale sat down with alum and playwright Lynn Nottage about her work and the future of the theater.

Mark Turek

 

It certainly is. With a book, and music and lyrics, by the era’s one-time

wunderkind, Lionel Bart, “Oliver!” received 23 curtain calls opening night and

sailed on for six years in London’s West End. Then it became a Broadway hit and

there was a very successful film, too.

 

Later on, producer Cameron Macintosh took over and ran successful revivals.

Many theater fans loved “Oliver!” for its gutsy, and plucky, drive. It’s wistful

happy ending helped, too.

 

Mark Turek

That is for sure. Playwright Lynn Nottage, a Brown graduate, has called “Intimate Apparel” a “meditation on loneliness.” Surely that is a more exact, more piercing description of this lovely, incisive and heartbreaking work at Trinity Rep.

“Intimate Apparel” is one of those plays that will have you confused sometimes, a little bored perhaps, and then will suddenly strike, make you fall for the people involved and for the ideas being put forth. It’s a play most worth seeing, and thinking about.

Richard W. Dionne, Jr.

Right-o. Let me say it up front. “Seven Keys to Baldpate” at 2nd Story is nothing less than a charmer. It’ll tickle your funny bone and warm your heart in the middle of this obstreperous winter of our discontent.

Okay, that’s enough of 1913-type hyperbole. But there’s no question that the Providence-born Cohan knew what he was doing. He adapted “Baldpate” from a novel by the author of the Charlie Chan film series. He said the play is both a farce and a melodrama. He was right on both counts.

On-stage, “Baldpate” is filled with goofy moments and overwrought happenings.

Wilbury Theater Group

Ah, yes, ahh, “The Iliad.” By Homer. We all know that. Helen of Troy. Achilles Agamemnon. Lots of battles, murders and . . . Well, you know truth is that a lot of folks, myself certainly included, pretty much slept through any course we ever took on “The Iliad.” We ended up with not a whole lot more than the ability to say, “Oh, yes, the Iliad. By Homer.” Haven’t looked at that in years.”

Peter Goldberg / The Gamm Theatre

In an interview concerning the New York production of “The Big Meal” the 33- year-old author, Dan LeFranc, makes a point of saying that his own growing up saw, quote, “lots of support but also a ton of friction and fear.”  And that was “critical in making me the kind of writer and person I am today,” he added.

Well, that would be a guy who has sharp instincts both for the jugular and the heart. “The Big Meal” checks out those eight folks in all kinds of ways.

Mark Turek / Trinity Rep

Ah, yes. Good old Chris Durang. What’s he gotten into now? Over the years he’s been known for such ideosyncratic shows as “Sister Mary Ignatius Explains It All For You, “The Marriage of Bette and Boo” and, of course, “The Idiots Kasamazov.”

But Durang’s nicely into his 60’s now. Perhaps he’s calmed down a bit?

Well, no. “Vanya and Sonia and Masha and Spike” concerns Bucks County, PA., Snow White, licking postage stamps, movie stars, the theatuh, voodoo, pricks, getting old and the significance of the blue heron. Among many other things.

Mark Turek / Ocean State Theatre

Ah yes, the late Vince Lombardi. I can see him now, back in the black and white TV era of the 1960s. He’s standing like a statue on the sidelines on the tundra that is a Green Bay football field. Legs apart, polo coat covering his broad shoulders, absurd fedora on his head. And most of all there’s his shouting, bellowing, at anyone nearby. The refs, his own players, his assistant coaches, were all fair game, targets of his single minded drive.

He was the Bill Belichick of his time, the best-known coach in all of football. Only louder, tougher, harder to deal with.

Credit Peter Goldberg / The Gamm TheatreCasey Seymour Kim and Alexander Platt in "Far Away" by Caryl Churchill, directed by Tony Estrella.Edit | Remove

For decades, English playwright Caryl Churchill has been accorded Goddess stature in the upper reaches of play writing circles. Fiercely political, strongly on the left, Churchill made her mark with plays of attitude and insight.

Richard W. Dionne, Jr. / 2nd Story Theatre

2nd Story Theatre debuts its new 70-seat performing space this week with a play called “Lobby Hero” by New York writer Kenneth Lonergan.

Yeah, well, you see “hero” is not exactly the right word. On the other hand, maybe it is. Or it is sometimes. You get what I mean?

No, huh? Well, the strength of this very funny, charming, tough and potty-mouthed snappy play is that nothing is exactly as it seems. But it might be. Irony prevails in “Lobby Hero.”

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