Trinity Rep

That is for sure. Playwright Lynn Nottage, a Brown graduate, has called “Intimate Apparel” a “meditation on loneliness.” Surely that is a more exact, more piercing description of this lovely, incisive and heartbreaking work at Trinity Rep.

“Intimate Apparel” is one of those plays that will have you confused sometimes, a little bored perhaps, and then will suddenly strike, make you fall for the people involved and for the ideas being put forth. It’s a play most worth seeing, and thinking about.

Ah, yes. Good old Chris Durang. What’s he gotten into now? Over the years he’s been known for such ideosyncratic shows as “Sister Mary Ignatius Explains It All For You, “The Marriage of Bette and Boo” and, of course, “The Idiots Kasamazov.”

But Durang’s nicely into his 60’s now. Perhaps he’s calmed down a bit?

Well, no. “Vanya and Sonia and Masha and Spike” concerns Bucks County, PA., Snow White, licking postage stamps, movie stars, the theatuh, voodoo, pricks, getting old and the significance of the blue heron. Among many other things.

Yup. Charles Dickens is back in town. Played with great good humor by the veteran Tom Gleadow, this year’s “A Christmas Carol” has Mr. Dickens on stage often and to considerable effect.

The rotund Gleadow is one of those luminous actors whom you find yourself watching anytime he’s on stage. And he’s there a lot, giving this year’s version more of the dialogue from the novel then perhaps ever. He also chides, and directs, poor old Ebenezer Scrooge a bit, too, which lends a nice comedic touch.

Let’s just say it right up front. Directed with bold assertion by Brian McEleney, on a kooky set that somehow works by designer Michael McGarty, “The Grapes of Wrath” is mesmerizing theater. With its quicksilver pace, its heartfelt performing and all-American drive, this production ranks among the best in Trinity’s history of taking on big deals and making them individual, and accessible.

This year, the Providence based Theater Company, Trinity Rep will celebrate its 50th year in Rhode Island, a remarkable feat for any non-profit arts organization.

For this month’s Artscape, Rhode Island Public Radio’s John Bender found out more about their upcoming season, and how the theater company made it to fifty.

Supreme Court Justice Elena Kagan offered rare behind-the-court insights Tuesday at a forum celebrating the 350th anniversary of the Rhode Island royal charter.

It’s hard to manage getting by these days without using email, but the Supreme Court of the United States does just fine without it, said Justice Elena Kagan. Speaking to about 500 people at Trinity Repertory Theatre, Kagan said they type everything on paper and have couriers deliver it.

At Trinity Rep these nights 14 professional actors and half as many kids are romping and stomping, racing and rushing from the upstairs Chace Theater to the downstairs Dowling Theater. And this is no exercise program. It’s actually the simultaneous performance of two separate plays by a single cast.

They fly from one play to another, changing costumes and characters all night long.

When you enter Trinity Rep’s Dowling Theater these evenings you just can’t miss the mess. Designer Eugene Lee has outdone himself, creating a scene that looks like a teenager’s bedroom on a very bad day. The walls are covered with large carpets, all conflicting in tone and color. There’s a distinctly un-comfortable looking iron bed.  Lamps from all eras abound. A Danish modern table, a keyboard from when, the 1960s, maybe? And above all is a huge crucifix, on which the murdered Jesus is nailed.

Oh my goodness, folks, those wacky Brits are back. They arrived Monday night in a slippery snowstorm using as their invasion vehicle the much anticipated, and much hyped, “Anne Boleyn” by veteran troublemaking playwright Howard Brenton. You will remember his work if you caught the deliciously provocative play “Paul” which celebrated the life of St. Paul at the Gamm a while ago.