Trinity Rep

Flo Jonic / RIPR

Supreme Court Justice Elena Kagan offered rare behind-the-court insights Tuesday at a forum celebrating the 350th anniversary of the Rhode Island royal charter.

It’s hard to manage getting by these days without using email, but the Supreme Court of the United States does just fine without it, said Justice Elena Kagan. Speaking to about 500 people at Trinity Repertory Theatre, Kagan said they type everything on paper and have couriers deliver it.

Mark Turek / Trinity Rep

At Trinity Rep these nights 14 professional actors and half as many kids are romping and stomping, racing and rushing from the upstairs Chace Theater to the downstairs Dowling Theater. And this is no exercise program. It’s actually the simultaneous performance of two separate plays by a single cast.

They fly from one play to another, changing costumes and characters all night long.

Hollywood actor Richard Jenkins and his wife will return to Trinity Rep next year to co-direct the musical Oliver.

Richard Jenkins is best known for his role in HBO’s Six Feet Under and the 2008 film “The Visitor.” But before he hit it big in Hollywood Jenkins and his wife Sharon were part of Trinity Rep – she was a choreographer and he was an actor and later the artistic director.

The couple will return next season to co-direct the musical “Oliver.” Trinity Rep’s artistic director Curt Columbus said audiences can expect to see a smart production.

Mark Turek

When you enter Trinity Rep’s Dowling Theater these evenings you just can’t miss the mess. Designer Eugene Lee has outdone himself, creating a scene that looks like a teenager’s bedroom on a very bad day. The walls are covered with large carpets, all conflicting in tone and color. There’s a distinctly un-comfortable looking iron bed.  Lamps from all eras abound. A Danish modern table, a keyboard from when, the 1960s, maybe? And above all is a huge crucifix, on which the murdered Jesus is nailed.

Peter Goldberg

Oh my goodness, folks, those wacky Brits are back. They arrived Monday night in a slippery snowstorm using as their invasion vehicle the much anticipated, and much hyped, “Anne Boleyn” by veteran troublemaking playwright Howard Brenton. You will remember his work if you caught the deliciously provocative play “Paul” which celebrated the life of St. Paul at the Gamm a while ago.

Pages