Wilbury Group

Maggie Hall / Wilbury Theatre Group

Using the same theater space where Trinity Rep began more than 50 years ago, The Wilbury Group is another young theater willing to take a chance. Bill Gale says their latest work, “Dry Land,” is certainly risky.

Ah, yes, so it is. Written by Ruby Rae Spiegel when she was still an undergraduate at  Yale University, “Dry Land” rushes you into a vortex of, well, you could say a bunch of  kids being young and stupid.

Brian Gagnon / Wilbury Theatre Group

Using the same theater on Broad Street in Providence where Trinity Rep began in the 1960s, the adventurous Wilbury Group is currently staging a work about the life and times, and death, of Walt Disney. Bill Gale has this review.

“A Public Reading of An Unproduced Screenplay About the Death of Walt Disney” continues at the Wilbury Group in Providence through November 22. Bill Gale reviews the performing arts for Rhode Island Public Radio.

Wilbury Theater Group

Ah, yes, ahh, “The Iliad.” By Homer. We all know that. Helen of Troy. Achilles Agamemnon. Lots of battles, murders and . . . Well, you know truth is that a lot of folks, myself certainly included, pretty much slept through any course we ever took on “The Iliad.” We ended up with not a whole lot more than the ability to say, “Oh, yes, the Iliad. By Homer.” Haven’t looked at that in years.”

Going forward with a famous musical is generally a matter of copying. After all, if you are putting on “Annie” or “Nunsense” you aren’t going to change things—just try to do a crowd-pleasing show as well as you can.

But that’s not the case with Bertolt Brecht and Kurt Weill’s “Three Penny Opera.”