Ah, yes, ahh, “The Iliad.” By Homer. We all know that. Helen of Troy. Achilles Agamemnon. Lots of battles, murders and . . . Well, you know truth is that a lot of folks, myself certainly included, pretty much slept through any course we ever took on “The Iliad.” We ended up with not a whole lot more than the ability to say, “Oh, yes, the Iliad. By Homer.” Haven’t looked at that in years.”
Going forward with a famous musical is generally a matter of copying. After all, if you are putting on “Annie” or “Nunsense” you aren’t going to change things—just try to do a crowd-pleasing show as well as you can.
But that’s not the case with Bertolt Brecht and Kurt Weill’s “Three Penny Opera.”